一键复制
无论是身处学校还是步入社会，大家都尝试过写作吧，借助写作也可以提高我们的语言组织能力。大家想知道怎么样才能写一篇比较优质的范文吗？下面我给大家整理了一些优秀范文，希望能够帮助到大家，我们一起来看一看吧。
福州三坊七巷导游词讲解篇一
today, we are going to visit the "three lanes and seven alleys" which is alandmark of fuzhou, a national historical and cultural city. the three lanes andseven alleys are also known as "living fossil of the city square system" and"architectural museum of ming and qing dynasties". in the first "selection ofchina's top ten historical and cultural blocks" announced in june 20__, sanfangqixiang historical and cultural block, beijing guozijian street, pingyao southstreet, harbin central street, etc. jointly participated in the election, andwon the honorary title of "china's top ten historical and cultural blocks"awarded by the ministry of culture and the state administration of culturalrelics with the highest votes.
today's "three lanes and seven alleys" is located in the center of fuzhoucity, adjacent to bay17 north road in the east, tonghu road in the west,yangqiao road in the north, jibi lane and guanglu square in the south, coveringan area of about 40 hectares. "three lanes" are: yijin lane, wenru lane andguanglu lane; "seven lanes" are: yangqiao lane, langguan lane, anmin lane, huanglane, ta lane, gong lane and jibi lane. with nanhou street as the central axis,they are arranged orderly from north to south, forming a "checkerboard" patternof traditional streets and lanes. in the process of urban change, jibi lane,yangqiao lane and guanglu lane were transformed into roads. therefore, when wetalk about three lanes and seven lanes today, there are actually only two lanesand five lanes. our car has arrived at the gate of nanhou street. now pleasetake your belongings and follow me to visit.
now we come to langguan lane. this is ermei bookstore, which is now fujianfolk custom museum. let's go inside. there's a threshold. be careful.
do you see the gold cloud on the hall? why is it gold? because most of thehouses in ancient times were made of wood, so there were many fires. in the fiveelements, gold generates water and water conquers fire, so the gold decorationhas the meaning of fire prevention. there is a hut on the left side of the you know the relationship of the three people in the picture? there are threegenerations here. this originated from the representative "aojiu festival" infuzhou filial piety culture. aojiu festival is also known as the later ninefestival, xiaojiu festival and send poor festival. that is to say, on february29 of the first month, the married daughter will bring cakes made of glutinousrice, brown sugar, peanuts and water chestnuts home to visit her parents fortheir parents' safety.
now let's go to the lacquer gold steamed bun box on the table in the you know what it is used for? it seems that no one can tell. it's asacrificial item. in ancient times, only officials could use this rectangularsteamed bun box, but ordinary people couldn't use it.
if the light pole is on the inside of the central pillar, it means that theowner's business is developing locally; if the light pole is on the outside ofthe central pillar, it means that the owner's business is developing abroad. infujian dialect, deng and ding are homonymous, so there are several light poleson the beam, which means that the family has several sons. you can see thatthere are three light poles on it, which means that the owner of the house hasthree or more sons.
now we come to the back of the hall, which was put in women's boudoir inancient times to worship their ancestors. you can see the left and right sidesof the text, each font is shaped like a vase. we call it vase writing. from leftto right, it is written that the jade hall is printed with spring color, and thezhu tree has autumn fragrance.
let's continue to walk this way. you can see that this ground is notordinary. it's called "sanhetu". it was built in the middle of the qing nearly 200 years, it was covered by soil and sand about 50 cm , it was discovered that this relatively intact ground was preserved duringthe renovation of ermei library. the raw materials are sand, loess andquicklime, and glutinous rice slurry is added to achieve the purpose ofviscosity and firmness. after repeatedly hitting the base, the "sanhetu" formeda smooth and flat ground. use the rope to imprint the auspicious pattern likegrass pattern on it, which means "continuous and endless". our whole house iscalled er mei book house. in fact, the book house is only a small part in frontof us. because lin xingzhang, the owner of the house, especially likes plumtrees, he planted two plum trees in front of his book house, so he named it ermei book house. next to the library is a hole. lin xingzhang calls it the sevenstar hole. we call it the snow hole. it uses brown sugar, glutinous rice andquicklime. the biggest effect is warm in winter and cool in summer. the rockeryand xuexue cave are used as passageways in ermei architecture. in the nationalresidential buildings, the characteristic of living alone is also a typicalrepresentative of residential buildings in ming and qing dynasties infuzhou.
we know that people living in the three lanes and seven alleys have a highstatus, so each house has its own flower hall garden. next we see the flowerhall garden designed by the owner of the house. you can see that the wholegarden concentrates the beautiful scenery of fuzhou in it. aofeng and baita arebeautiful scenery of fuzhou. next to it is a 200 year old litchi tree, whichbears fruit every year. march to april is the flowering season of litchi trees,and white litchi flowers will be seen at that time.
out of the er mei bookstore, we came to ta xiang, 295 meters in length. whyis it called tower lane? do you follow the direction of my finger to see thesmall tower at the entrance of the lane? tower lane has a history of thousandsof years. as the name suggests, there was once a tower in this alley, which wasthe king of min in tang dynasty in the five dynasties, there were more than 700temples and pagodas, large and small. xie mi, the song dynasty's prefect, oncewrote: there are thousands of temples in the city, seven pagodas and tenthousand lanterns at night. the seven pagodas were one of the wonders of fuzhoucity at that time, including the present white pagoda, wuta and yuwang pagoda inthis lane. yuwang pagoda is regarded as a symbol of the prosperity of fuzhoucultural movement, but it was abandoned and disappeared in the ming dynasty. inthe qing dynasty, a pocket pagoda was set up on the gateway as a souvenir.
members of the group, due to the time constraint, this part of the tourguide's explanation comes to an end here. on behalf of all the staff of sunshinetravel agency, i would like to thank you again for your presence. at the sametime, i would like to thank you very much for your support for my work along theway. if there are any shortcomings on the way, please forgive me. i hope you cangive me valuable opinions and suggestions in the last few minutes. we willcontinue to improve the quality of service. next, i'll leave you a free y, i wish you a pleasant journey and a pleasant journey. i look forward toyour next visit. thank you.
福州三坊七巷导游词讲解篇二
first of all, on behalf of all the staff of sunshine travel agency, i wouldlike to extend a warm welcome to you. at the same time, i would like to thankyou for your support and trust in our travel agency. my name is __x. i'm a tourguide of sunshine travel agency. you can call me __. this is our team driver,master liu, who has rich driving experience. i believe you will feel comfortableand safe on your journey. today, i feel very honored to be our tour guide and toknow so many friends. if you have any difficulties and requirements during thejourney, please put forward them in time, and i will try my best to serve you. ialso hope that you can actively support and cooperate with my work. here i wishyou a happy journey! you can come with joy and return with satisfaction.
today, we are going to visit the "three lanes and seven alleys" which is alandmark of fuzhou, a national historical and cultural city. the three lanes andseven alleys are also known as "living fossil of the city square system" and"architectural museum of ming and qing dynasties". in the first "selection ofchina's top ten historical and cultural blocks" announced in june 20__, sanfangqixiang historical and cultural block, beijing guozijian street, pingyao southstreet, harbin central street, etc. jointly participated in the election, andwon the honorary title of "china's top ten historical and cultural blocks"awarded by the ministry of culture and the state administration of culturalrelics with the highest votes.
today's "three lanes and seven alleys" is located in the center of fuzhoucity, adjacent to bay17 north road in the east, tonghu road in the west,yangqiao road in the north, jibi lane and guanglu square in the south, coveringan area of about 40 hectares. "three lanes" are: yijin lane, wenru lane andguanglu lane; "seven lanes" are: yangqiao lane, langguan lane, anmin lane, huanglane, ta lane, gong lane and jibi lane. with nanhou street as the central axis,they are arranged orderly from north to south, forming a "checkerboard" patternof traditional streets and lanes. in the process of urban change, jibi lane,yangqiao lane and guanglu lane were transformed into roads. therefore, when wetalk about three lanes and seven lanes today, there are actually only two lanesand five lanes. our car has arrived at the gate of nanhou street. now pleasetake your belongings and follow me to visit.
now we come to langguan lane. this is ermei bookstore, which is now fujianfolk custom museum. let's go inside. there's a threshold. be careful.
do you see the gold cloud on the hall? why is it gold? because most of thehouses in ancient times were made of wood, so there were many fires. in the fiveelements, gold generates water and water conquers fire, so the gold decorationhas the meaning of fire prevention. there is a hut on the left side of the you know the relationship of the three people in the picture? there are threegenerations here. this originated from the representative "aojiu festival" infuzhou filial piety culture. aojiu festival is also known as the later ninefestival, xiaojiu festival and send poor festival. that is to say, on february29 of the first month, the married daughter will bring cakes made of glutinousrice, brown sugar, peanuts and water chestnuts home to visit her parents fortheir parents' safety.
now let's go to the lacquer gold steamed bun box on the table in the you know what it is used for? it seems that no one can tell. it's asacrificial item. in ancient times, only officials could use this rectangularsteamed bun box, but ordinary people couldn't use it.
if the light pole is on the inside of the central pillar, it means that theowner's business is developing locally; if the light pole is on the outside ofthe central pillar, it means that the owner's business is developing abroad. infujian dialect, deng and ding are homonymous, so there are several light poleson the beam, which means that the family has several sons. you can see thatthere are three light poles on it, which means that the owner of the house hasthree or more sons.
now we come to the back of the hall, which was put in women's boudoir inancient times to worship their ancestors. you can see the left and right sidesof the text, each font is shaped like a vase. we call it vase writing. from leftto right, it is written that the jade hall is printed with spring color, and thezhu tree has autumn fragrance.
let's continue to walk this way. you can see that this ground is notordinary. it's called "sanhetu". it was built in the middle of the qing nearly 200 years, it was covered by soil and sand about 50 cm , it was discovered that this relatively intact ground was preserved duringthe renovation of ermei library. the raw materials are sand, loess andquicklime, and glutinous rice slurry is added to achieve the purpose ofviscosity and firmness. after repeatedly hitting the base, the "sanhetu" formeda smooth and flat ground. use the rope to imprint the auspicious pattern likegrass pattern on it, which means "continuous and endless". our whole house iscalled er mei book house. in fact, the book house is only a small part in frontof us. because lin xingzhang, the owner of the house, especially likes plumtrees, he planted two plum trees in front of his book house, so he named it ermei book house. next to the library is a hole. lin xingzhang calls it the sevenstar hole. we call it the snow hole. it uses brown sugar, glutinous rice andquicklime. the biggest effect is warm in winter and cool in summer. the rockeryand xuexue cave are used as passageways in ermei architecture. in the nationalresidential buildings, the characteristic of living alone is also a typicalrepresentative of residential buildings in ming and qing dynasties infuzhou.
we know that people living in the three lanes and seven alleys have a highstatus, so each house has its own flower hall garden. next we see the flowerhall garden designed by the owner of the house. you can see that the wholegarden concentrates the beautiful scenery of fuzhou in it. aofeng and baita arebeautiful scenery of fuzhou. next to it is a 200 year old litchi tree, whichbears fruit every year. march to april is the flowering season of litchi trees,and white litchi flowers will be seen at that time.
out of the er mei bookstore, we came to ta xiang, 295 meters in length. whyis it called tower lane? do you follow the direction of my finger to see thesmall tower at the entrance of the lane? tower lane has a history of thousandsof years. as the name suggests, there was once a tower in this alley, which wasthe king of min in tang dynasty in the five dynasties, there were more than 700temples and pagodas, large and small. xie mi, the song dynasty's prefect, oncewrote: there are thousands of temples in the city, seven pagodas and tenthousand lanterns at night. the seven pagodas were one of the wonders of fuzhoucity at that time, including the present white pagoda, wuta and yuwang pagoda inthis lane. yuwang pagoda is regarded as a symbol of the prosperity of fuzhoucultural movement, but it was abandoned and disappeared in the ming dynasty. inthe qing dynasty, a pocket pagoda was set up on the gateway as a souvenir.
members of the group, due to the time constraint, this part of the tourguide's explanation comes to an end here. on behalf of all the staff of sunshinetravel agency, i would like to thank you again for your presence. at the sametime, i would like to thank you very much for your support for my work along theway. if there are any shortcomings on the way, please forgive me. i hope you cangive me valuable opinions and suggestions in the last few minutes. we willcontinue to improve the quality of service. next, i'll leave you a free y, i wish you a pleasant journey and a pleasant journey. i look forward toyour next visit. thank you.
福州三坊七巷导游词讲解篇三
dear friends: hello everyone, today we come to the first street of china -"three lanes and seven alleys", which is known as "architectural museum of mingand qing dynasties" and "living fossil of city square system" with thesignificance of national historical and cultural city fuzhou landmark. in thefirst "selection of china's top ten historical and cultural blocks" announced injune 20__, sanfang qixiang historical and cultural block, beijing guozijianstreet, pingyao south street, harbin central street, etc. jointly participatedin the election, and won the honorary title of "china's top ten historical andcultural blocks" awarded by the ministry of culture and the state administrationof cultural relics with the highest votes.
in 220__ bc, when fuzhou city was first built, it was called "yecheng". theruler was wu zhu, a descendant of gou jian. after more than two hundred years,fuzhou in the western jin dynasty had a certain scale. yan gao, the firstprefect of jin'an county, thought that the city was too small, so he built acounty city at the southern foot of pingshan mountain, which is called"zicheng". the three lanes and seven alleys originated from the expansion of thenew town by wang shenzhi, king of min in the late tang dynasty. when wangshenzhi was in power, he suspected that the original zicheng was too e the zicheng, he built "luocheng" with coin pattern bricks. it is saidthat this was the only brick city in china at that time. the south of luochengis bounded by the antai river. the north of luocheng is the political center,mostly inhabited by nobles. the south of luocheng is the civilian residentialarea and commercial area. at this time, three lanes and seven lanes become animportant area in the southwest of luocheng, and the pattern of lanes and lanesis initially formed.
today's "three lanes and seven alleys" is located in the center of fuzhoucity, adjacent to bay17 north road in the east, tonghu road in the west,yangqiao road in the north, jibi lane and guanglu square in the south, coveringan area of about 40 hectares. "three lanes" are: yijin lane, wenru lane andguanglu lane; "seven lanes" are: yangqiao lane, langguan lane, anmin lane, huanglane, ta lane, gong lane and jibi lane. with nanhou street as the central axis,they are arranged orderly from north to south, forming a "checkerboard" patternof traditional streets and lanes. in the process of urban change, jibi lane,yangqiao lane and guanglu lane have been transformed into roads. therefore,today we talk about three lanes and seven lanes, but actually there are only twolanes and five lanes.
after many years, the pattern of "three lanes and seven alleys" remainsbasically the pattern of alleys left over from the tang and song are more than 200 well preserved buildings in the ming and qing dynastiesand the republic of china. among them, there are 9 national key cultural relicsprotection units, such as shuixie stage, yan fu's former residence and shenbaozhen's former residence. it is the largest and most complete ancientarchitectural block of ming and qing dynasties preserved in the city center ofchina. "three lanes and seven alleys" embodies the characteristics of minyueancient city and the unique characteristics of fuzhou ancient houses. thearchitectural structure and materials adapt to the humid and warm climate offuzhou; the courtyard layout reflects the traditional family ethics; the gardenis exquisite and elegant, reflecting the elegant taste close to the landscape,which is described as a large-scale "museum of ancient architecture of ming andqing dynasties" by the architectural circles.
in addition to the architecture of ming and qing dynasties, what is moreamazing is the cultural heritage of three lanes and seven alleys. chen yan, amodern poet, wrote a poem and said, "who knows that the five willows aresolitary pines, but they live in three lanes and seven alleys." since theformation of jin and tang dynasty, three lanes and seven lanes have been thesettlements of nobles and literati. especially in the middle and late qingdynasty, fuzhou scholars' inherent sense of concern for the country and thepeople was more intense in the changes of the world. there emerged a group ofpeople who had an important impact on the society at that time and the processof modern chinese history. lin zexu, shen baozhen, lin xu, yan fu, lin juemin,lin shu, lin huiyin, bing xin, lu yin, yu dafu, guo huaruo, wu shi turning overthe history, you will be surprised to find that a large number of characters whoare surging up on the stage of modern china, their living backgrounds arereflected in the three lanes and seven alleys, with a remarkable number of morethan 150 people.
it can be said that three lanes and seven alleys have become the epitome offuzhou's human culture, which highlights the integration of fuzhou people'spursuit of orthodox education and pioneering spirit of marine culture. as thegathering place of fuzhou city spirit, the memorial place of fuzhou mingxianculture, the heritage place of fuzhou traditional merchant culture, and theexhibition place of fuzhou folk culture, sanfangqixiang carries the richhistorical and cultural accumulation of fuzhou city development, fully embodiesthe characteristics and value of material and intangible culture ofsanfangqixiang historical and cultural block, and is worthy of the name ofchina.
each city has its own unique historical and cultural genes, and it shouldtreasure its own cultural heritage in the process of development. fuzhou hasalso gone through detours. at the end of the last century, in the heat of oldcity reconstruction, three lanes and seven alleys faced the same danger of being"transformed". fujian province and fuzhou city adjusted their thinking in timeand terminated the original renovation projects for real estate development. inrecent years, fujian provincial party committee, fujian provincial government,fuzhou municipal party committee and fuzhou municipal government have attachedgreat importance to the protection and restoration of sanfang qixiang historicaland cultural district, and put the protection and restoration of sanfang qixiangon the important agenda. the three lanes and seven alleys have been transformedfrom development and transformation to overall protection and restoration. thegovernment investment has gradually increased, and the expenditure on protectionand restoration projects is mainly invested in people's livelihood. thetransformation of the three lanes and seven alleys has not only become aprotection project of material culture and intangible culture, but also acomfortable housing project and popular project to improve people's livingconditions.
"three lanes and seven alleys should become a living cultural heritage,"shan jixiang, director of the state administration of cultural relics, gave ahigh evaluation to the renovation project. the value of fuzhou's explorationlies in the protection of both life form and intangible cultural heritage. therestored sanfangqixiang is not a tourist area that excludes the original ecologyof the original residents, but a residential community with traditional culturalcharacteristics and a city vitality zone with unique cultural landscape. tangguozhong, the cpc fujian provincial committee and propaganda minister, saidwell: three lanes and seven alleys are the epitome of fuzhou's gathering ofpeople and culture, and the living fossil of fujian and chinese taiwan's deep successful protection is not only the wealth of fuzhou, but also the commonglory of the economic zone on both sides of the chinese taiwan strait and the west coastof the straits, which needs to be passed down from generation to generation.
福州三坊七巷导游词讲解篇四
dear friends: hello everyone, today we come to the first street of china -"three lanes and seven alleys", which is known as "architectural museum of mingand qing dynasties" and "living fossil of city square system" with thesignificance of national historical and cultural city fuzhou landmark. in thefirst "selection of china's top ten historical and cultural blocks" announced injune 20__, sanfang qixiang historical and cultural block, beijing guozijianstreet, pingyao south street, harbin central street, etc. jointly participatedin the election, and won the honorary title of "china's top ten historical andcultural blocks" awarded by the ministry of culture and the state administrationof cultural relics with the highest votes.
in 220__ bc, when fuzhou city was first built, it was called "yecheng". theruler was wu zhu, a descendant of gou jian. after more than two hundred years,fuzhou in the western jin dynasty had a certain scale. yan gao, the firstprefect of jin'an county, thought that the city was too small, so he built acounty city at the southern foot of pingshan mountain, which is called"zicheng". the three lanes and seven alleys originated from the expansion of thenew town by wang shenzhi, king of min in the late tang dynasty. when wangshenzhi was in power, he suspected that the original zicheng was too e the zicheng, he built "luocheng" with coin pattern bricks. it is saidthat this was the only brick city in china at that time. the south of luochengis bounded by the antai river. the north of luocheng is the political center,mostly inhabited by nobles. the south of luocheng is the civilian residentialarea and commercial area. at this time, three lanes and seven lanes become animportant area in the southwest of luocheng, and the pattern of lanes and lanesis initially formed.
today's "three lanes and seven alleys" is located in the center of fuzhoucity, adjacent to bay17 north road in the east, tonghu road in the west,yangqiao road in the north, jibi lane and guanglu square in the south, coveringan area of about 40 hectares. "three lanes" are: yijin lane, wenru lane andguanglu lane; "seven lanes" are: yangqiao lane, langguan lane, anmin lane, huanglane, ta lane, gong lane and jibi lane. with nanhou street as the central axis,they are arranged orderly from north to south, forming a "checkerboard" patternof traditional streets and lanes. in the process of urban change, jibi lane,yangqiao lane and guanglu lane have been transformed into roads. therefore,today we talk about three lanes and seven lanes, but actually there are only twolanes and five lanes.
after many years, the pattern of "three lanes and seven alleys" remainsbasically the pattern of alleys left over from the tang and song are more than 200 well preserved buildings in the ming and qing dynastiesand the republic of china. among them, there are 9 national key cultural relicsprotection units, such as shuixie stage, yan fu's former residence and shenbaozhen's former residence. it is the largest and most complete ancientarchitectural block of ming and qing dynasties preserved in the city center ofchina. "three lanes and seven alleys" embodies the characteristics of minyueancient city and the unique characteristics of fuzhou ancient houses. thearchitectural structure and materials adapt to the humid and warm climate offuzhou; the courtyard layout reflects the traditional family ethics; the gardenis exquisite and elegant, reflecting the elegant taste close to the landscape,which is described as a large-scale "museum of ancient architecture of ming andqing dynasties" by the architectural circles.
in addition to the architecture of ming and qing dynasties, what is moreamazing is the cultural heritage of three lanes and seven alleys. chen yan, amodern poet, wrote a poem and said, "who knows that the five willows aresolitary pines, but they live in three lanes and seven alleys." since theformation of jin and tang dynasty, three lanes and seven lanes have been thesettlements of nobles and literati. especially in the middle and late qingdynasty, fuzhou scholars' inherent sense of concern for the country and thepeople was more intense in the changes of the world. there emerged a group ofpeople who had an important impact on the society at that time and the processof modern chinese history. lin zexu, shen baozhen, lin xu, yan fu, lin juemin,lin shu, lin huiyin, bing xin, lu yin, yu dafu, guo huaruo, wu shi turning overthe history, you will be surprised to find that a large number of characters whoare surging up on the stage of modern china, their living backgrounds arereflected in the three lanes and seven alleys, with a remarkable number of morethan 150 people.
it can be said that three lanes and seven alleys have become the epitome offuzhou's human culture, which highlights the integration of fuzhou people'spursuit of orthodox education and pioneering spirit of marine culture. as thegathering place of fuzhou city spirit, the memorial place of fuzhou mingxianculture, the heritage place of fuzhou traditional merchant culture, and theexhibition place of fuzhou folk culture, sanfangqixiang carries the richhistorical and cultural accumulation of fuzhou city development, fully embodiesthe characteristics and value of material and intangible culture ofsanfangqixiang historical and cultural block, and is worthy of the name ofchina.
each city has its own unique historical and cultural genes, and it shouldtreasure its own cultural heritage in the process of development. fuzhou hasalso gone through detours. at the end of the last century, in the heat of oldcity reconstruction, three lanes and seven alleys faced the same danger of being"transformed". fujian province and fuzhou city adjusted their thinking in timeand terminated the original renovation projects for real estate development. inrecent years, fujian provincial party committee, fujian provincial government,fuzhou municipal party committee and fuzhou municipal government have attachedgreat importance to the protection and restoration of sanfang qixiang historicaland cultural district, and put the protection and restoration of sanfang qixiangon the important agenda. the three lanes and seven alleys have been transformedfrom development and transformation to overall protection and restoration. thegovernment investment has gradually increased, and the expenditure on protectionand restoration projects is mainly invested in people's livelihood. thetransformation of the three lanes and seven alleys has not only become aprotection project of material culture and intangible culture, but also acomfortable housing project and popular project to improve people's livingconditions.
"three lanes and seven alleys should become a living cultural heritage,"shan jixiang, director of the state administration of cultural relics, gave ahigh evaluation to the renovation project. the value of fuzhou's explorationlies in the protection of both life form and intangible cultural heritage. therestored sanfangqixiang is not a tourist area that excludes the original ecologyof the original residents, but a residential community with traditional culturalcharacteristics and a city vitality zone with unique cultural landscape. tangguozhong, the cpc fujian provincial committee and propaganda minister, saidwell: three lanes and seven alleys are the epitome of fuzhou's gathering ofpeople and culture, and the living fossil of fujian and chinese taiwan's deep successful protection is not only the wealth of fuzhou, but also the commonglory of the economic zone on both sides of the chinese taiwan strait and the west coastof the straits, which needs to be passed down from generation to generation.
