一键复制
无论是身处学校还是步入社会，大家都尝试过写作吧，借助写作也可以提高我们的语言组织能力。相信许多人会觉得范文很难写？下面是小编为大家收集的优秀范文，供大家参考借鉴，希望可以帮助到有需要的朋友。
景泰蓝花瓶工艺篇一
教学目的：
1、学习本文按照景泰蓝制作的先后顺序，有详有略地介绍说明事物的方法。
2、了解景泰蓝制作精巧，手工操作的特点，启发学生热爱劳动、热爱劳动人民的思想感情。
教学设想：
1、以景泰蓝的制作程序为序，纵横交错，有详有略，学生不易理解。要抓住这个重点，反复引导学生体会，绘制本文说明顺序结构图。
2、本文的语言准确、通俗、朴实，可让学生分类整理，加强体会。
3、有条件的，可以出示景泰蓝的图片，帮助学生理解课文。
教学要点：
1、 解文常用的说明方法。
2、 掌握本文的说明顺序。
3、 学习本文扣住“手工操作”这一特征进行说明。
教学方法
1、 讲读之前，安排课内预习，重视学生自学能力的培养。
2、 通过对初中已掌握的三种说明顺序：时间顺序、空间顺序和逻辑顺序的复习，使学生进一步了解说明顺序是因说明对象和说明目的不同而不同的。
3、 练习设计重在“双基”的落实，有助于把知识转化为能力，又助于学生智力的发展。
课时安排：二课时
第一课时
教学过程
景泰蓝花瓶工艺篇二
景泰蓝英文导游词
cloisonne is a famous traditional enamel ware, known as the blue of jingtai in china, with a history of over 500 years. it was so called blue was the typical colour used for enamelling and jingtai was the reign title of the 7th ming emperor. enamel ware became very popular during the emperors reign. there is a great variety of products, such as vase, jar, bowl,plate, box and ash-tray. they are brilliant in colours and splendid in design.
cloisonne is one of the famous arts and crafts of making of cloisonne requires rather elaborate and complicated processes; base-hammering, copper-strip inlay, soldering, enamel-filling, enamel-firing, polishing and gilding. the products are featured by excellent quality. the skill and workmanship have been handed down from the ming dynasty. quite a number of new varieties have been created. it enjoys a high reputation both at home and abroad. they are mostly for export.
cloisonne-making
the first step is body making. the material used for making the bodyis copper, because copper is easily hammered and stretched. this step requires a sound judgement in shaping and uniformity of thickness and weight. it is in fact the work of the copper smith. the only difference is that when an article is well shaped, the copper smiths work is finished, whereas the cloisonne craftsmans work is just on the the start.
the second step is filigree soldering. this step requires great care and high creativeness. the artisan adheres copper strips onto the body. these strips are of 1/16 inch in diameter and of lengths as the artisan desires. the strips or filigree thus adhered make up a complicated but complete pattern. the artisan has a blueprint in mind and he can make full use of his experience, imagination and aesthetic view in setting the copper strips on the body.
the third step is to apply the colour which is known as enamel filling. the colour or enamel is like the glaze on ceramics. it is called falang. its basic elements are boric acid, saltpetre and alkaline. due to the difference in the minerals added, the colour differs accordingly. usually one with much iron will turn grey, with uranium, yellow, with chromium, green, with zinc, white, with bronze, blue, with gold or iodine, red. in time of filling, all the colours, ground beforehand into minute powder and contained in plates, are placed in front of the workers and are then applied to the little compartments separated by filigree.
the fourth step is enamel firing. this is done by putting the article, with its enamel fillings, to the crucible. after a short moment, the copper body will turn red. but after firing, the enamel in the little compartment will sink down a bit. that will require a refilling. this process will go on repeatedly until the little compartments are finally filled.
the fifth step is polishing. the first polish is with energy. its aim is to make the filigree and the filled compartments even. the whole piece is again put to fire. polish once more with a whet stone. finally, use a piece of hard carbon to polish again so as to obtain some lustre on the surface of the article.
the sixth step is gilding. this is done by placing the article in fluid of gold or silver. add electric current. the exposed parts of the filigree and the metal fringes of the article will be smoothly and evenly gilded. after that, the metal part of the article will not get rusty. then the article will again undergo another electroplating and a slight polish.
景泰蓝花瓶工艺篇三
景泰蓝英文导游词
cloisonne is a famous traditional enamel ware, known as the “blue of jingtai” in china, with a history of over 500 years. it was so called “blue” was the typical colour used for enamelling and “jingtai” was the reign title of the 7th ming emperor. enamel ware became very popular during the emperors reign. there is a great variety of products, such as vase, jar, bowl,plate, box and ash-tray. they are brilliant in colours and splendid in design.
cloisonne is one of the famous arts and crafts of making of cloisonne requires rather elaborate and complicated processes; base-hammering, copper-strip inlay, soldering, enamel-filling, enamel-firing, polishing and gilding. the products are featured by excellent quality. the skill and workmanship have been handed down from the ming dynasty. quite a number of new varieties have been created. it enjoys a high reputation both at home and abroad. they are mostly for export.
cloisonne-making
the first step is body making. the material used for making the bodyis copper, because copper is easily hammered and stretched. this step requires a sound judgement in shaping and uniformity of thickness and weight. it is in fact the work of the copper smith. the only difference is that when an article is well shaped, the copper smith‘s work is finished, whereas the cloisonne craftsman’s work is just on the the start.
the second step is filigree soldering. this step requires great care and high creativeness. the artisan adheres copper strips onto the body. these strips are of 1/16 inch in diameter and of lengths as the artisan desires. the strips or filigree thus adhered make up a complicated but complete pattern. the artisan has a blueprint in mind and he can make full use of his experience, imagination and aesthetic view in setting the copper strips on the body.
the third step is to apply the colour which is known as enamel filling. the colour or enamel is like
景泰蓝花瓶工艺篇四
童年像阳光下的白水晶，总是折射出五彩缤纷的光彩。一只昆虫、一个玩具、一次发现、一场争执……看起来微不足道，却饱含着我们的快乐和梦想与追求……
那年，我正好满了六岁。每到灯光在我的房间里无声无息的闪烁时，我总是迫不及待地呼唤着走进来的外婆，让老人家给我讲故事。每一个绘声绘色的故事，总是让我出神，让我浮想联翩。最让我入迷就是那朵能实现愿望的七色花，真希望我有一朵能实现我的梦想的七色花。
直到有一天，我和妈妈来到了盛开五颜六色花朵的大花园。就算在烈日的照耀下，大花园依然光彩照人。
我被它吸引了，我笃定这里开着七色花，一股劲想往里冲。花园的内部太美了，百花齐放，万紫千红。空气中还散发着诱人的芬芳。
我却没有半点观赏之心，在花丛中寻觅。阳光丝毫没有削弱的意思，我汗流浃背，我没有退缩的想法，我不死心，忽然在一处不被人注意的角落，看到一朵花独自挺立在那里发出彩虹的光彩。我兴奋的把它摘下，来到妈妈的身旁，我自豪地说：“看！七色花！”。
“这一枝花是纸花，你太调皮了呀！”。
“这明明是七色花！”我不满地说。
“好，这是七色花！”
回到了家里，我便把它插在了蓝花瓶里……
也许在别人心中，它是一朵纸花朵，可它却把我最大的心愿实现了，把我快要离开的童年留了下来。
景泰蓝花瓶工艺篇五
走近景泰蓝小学生作文
景泰蓝是北京的一种传统珐琅手工艺品，也是举世闻名的手工艺品。
百闻不如一见，今年暑假，我幸去参加北京夏令营。一来到北京，我就迫不及待地想去看看景泰蓝是怎么样子的？
火热的太阳，却无法阻挡着我好奇的心情。夏令营第二天，在导游的带领下，我们来到了景泰蓝制作作坊大门口，看着门口两旁有两只威风凛凛的大狮子，我不禁赞叹道：“哇，好庄重呀！”门口的讲解员叔叔热情地迎接着我们。我抬头看到门上挂着五个像甲骨文一样的烫金大字，我左看看，右瞧瞧，就是看不出来这是五个什么字？正当我疑惑不解，丈二和尚摸不着头脑之时，讲解员叔叔笑着说：这五个字是“京城第一家”。意思是北京城第一家景泰蓝的店。听他这么一说，我们都情不自禁地发出啧啧称赞声。
讲解员叔叔边走边介绍：景泰蓝是起源于元朝，并盛行于元朝“景泰”年间，直到现在，已具有五百多年历史了，在皇权统治时期，只有皇室及官宦才有权拥有、收藏景泰蓝制品。如今，景泰蓝制品已经被大众所熟知，并以其精彩绝伦的设计及其富丽堂皇的色彩，在国内外赢得了极高的盛誉。听着听着，望着眼前这些景泰蓝，心中一股自豪之情油然而生。
接着，讲解员叔叔又跟我们讲解了景泰蓝的制作过程，大致分为制胎、掐丝、烧焊、点蓝、烧蓝、磨光、镀金等复杂而又精细的工序。透过透明的玻璃，我看到工人们在有条不紊地做着手上的活，他们一个个全神贯注，有的在点蓝，有的在镀金……看他们技艺已经非常熟练，但是他们神情仍然非常专注，尤其是烧焊工作室，在这么热的工作室里，他们表现非常认真，无不令我佩服三分。就是因为有了一批批制作景泰蓝的技师，他们不怕苦，不怕累，才使我们国家这一传统技艺保留下来。他们从制胎到景泰蓝完工，要经过十几道工序，光烧蓝这道工序就要反反复复三次以上，最后才可以让我们看到那五颜六色、栩栩如生而又亮丽无比的景泰蓝。
经过这次景泰蓝的观光，我明白了一个道理，做任何事情都要坚持，正因为有了这些叔叔阿姨的坚持，中国才有了这么多美丽的景泰蓝。
景泰蓝花瓶工艺篇六
中国是一个历史文化悠久的文明古国，中国人民几千年来创造了无数灿烂辉煌的传统文化。也许中国有了基本的道德准则、和礼仪文化。
中国从古代以来就被世人称为“文明古国，礼仪之邦”。中国具有五千年的文化风俗历史。中国古代的教育学家孔子就教育我们“不学礼，无以立。”的话语。
毫无疑问，传统礼仪文化对于我国社会发展产生了积极的影响。一般说来，社会上讲文明礼貌的人越多，这个社会便会越和谐。
在当今社会中，我们应立足于吸收民族文化中的精华，建起一片属于自己的文明天空。我们应该以自己祖国的传统文化为荣，让中国的传统文化更好地发扬和继承下去，而不是让传统文化逐渐地埋没和暗淡下去。
中华上下五千年，传统文化一路风尘仆仆走过来，有的是深厚的文化底蕴。但在今天，一提及中国传统文化，大多数人并没有什么清晰的概念，甚至有很多现代的年轻人并不喜欢过中国的传统节日。其实，除了端午节以外，我们国家还有许许多多的节日，比如春节、清明节、中秋节等。可相反，他们更喜欢过外国人的洋节日。例如白色情人节、圣诞节、万圣节等丰富多彩的外国人的节日，他们认为过这样的节日更有意思，更能够符合现在的潮流。但年轻人对于传统文化的理解却是意识十分的淡薄。
中国的传统文化正在遭受着史无前例的遗忘与不屑，传统文化是中国几千年来老百姓的智慧和汗水的结晶和产物。是不能够被人们轻易的轻视和糟蹋掉的。
中国的传统文化，应是体现中国人价值的生活方式，传录它们还可以使我们的文化内涵发扬光大。
传统文化毕竟是中国传承了几千年的血脉，若血脉堵塞，中国只能被称为是一个现代国，而不能称其为中国了。
中国传统文化博大精深，它足以使国人和海外人引来容耀和自豪，它是中华民族重要的凝聚力，没有它，国人将迷失自我。没有它，中国便将只剩下一个空壳子。
纵观古今中外各国发展，世上没有一个民族是会否定自身的传统文化的，没有任何一个民族会认为自己的优秀的传统文化是过时的，有害的。
而传承和继承并发扬中国传统礼仪文化。是每一个华夏儿女的责任，只有这样，我们才能无愧地大声说：“我是中国人!”
中华民族的`传统文化是民族的精神支柱。中华传统文化是中国人民乃至全人类的宝贵财富。
我们应该继承和发扬中国传统文化，对于外来文化，应该做到，取其精华去其糟粕。这样才能够更好的保护中国的传统文化，不让它受外来文化所侵略。
